Home, Reassembled:
Accent Sisters Staff Group Exhibition
2025/05/17- 2025/06/201
Artists
Current Fellows (25’ Spring)
Alison Long | Elle Xiang Li | ||
Winifred Dongyi Wang | Tom Zhang |
Current and Previous Staff
Ahzel | Chenxi Shuai | Chey Zeng | ||
Ginny Li | Hsin I (Camille) Lin | Huiqi He | ||
Jie Shao | Leyan Zhu | Nany Chen | ||
Quan Yuan | Sharon Zhang | Sha Luo | ||
Siyu Chen | Tenny Liu | Vyolet Jin | ||
Yuki He | Yining Mao | Zaozao Zhang |
Accent Sisters presents Home, Reassembled, a group exhibition showcasing the work of 23 artists who have been fellows or staff members at Accent Sisters since its founding in 2018. The exhibition opens with a public reception on May 16, 6–9 PM, and concludes with a special program on June 1, 2–6 PM, featuring poetry readings and film screenings by selected participating artists.
Curated by Xingze Li, with supporting contributions from Siyu Chen and Elle Xiang Li, the exhibition brings together works that are original, uncompromising, and formally diverse—reflecting the richly layered identities and experiences of its contributors. The participating artists, shaped by varied linguistic, cultural, and migratory backgrounds, come together to imagine a space of radical possibility—where language, memory, and form are continuously negotiated and reassembled.
Through written pages and time-based media, the artists conjure spaces of fleeting freedom—imagined realms to momentarily inhabit and wander. These visual and textual gestures reflect not only inner landscapes and physical surroundings, but also evolving relationships with the world and one another.
The works on view span a wide range of materials, forms, and sensibilities—each shaped by the artist’s distinct personal history, cultural inheritance, and artistic inquiry. Within this shared space, their voices do not blend into repetition, but resonate beyond the confines of time and place, emanating from the collective memories. From intimate reflections on domestic life to expansive reconsiderations of displacement, ritual, and memory, the exhibition reimagines “home” as both deeply personal and radically collective: a constellation of identities continuously assembled, disassembled, and reassembled.